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Anwesha Arya: The Miracle Woman

In times when many of Bollywood boys and girls are under the scanner, Vinta Nanda interviews Anwesha Arya &nd...

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Lost treasure of the legendary R.D. Burman

Khalid Mohamed calls for the retrieval of the missing songs of R.D.Burman, which Asha Bhosle confirms must be “languishi...

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Farewell Basu Da

Amit Khanna talks about Basu Chatterjee on the day Indian Cinema has lost him. He recalls how Basu Da was known for having mir...

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Scent of Music: AR Rahman

Khalid Mohamed rewinds to one of his chatty conversations with the Mozart of Madras.

When...

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Minority Report

Khalid Mohamed writes on the ceaseless ghettoization of Muslim characters in B-town’s mainstream movies, and now web ser...

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KASHISH grant to make films on LGBTQ+

Call for submissions open to KASHISH QDrishti Film Grant 2020

KASHISH Mumbai International Queer Film Festival, South Asia’s biggest and India’s most ma...

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Ray lives on

His films are what Akira Kurosawa’s are to Japanese cinema, Robert Bresson’s to France and Michelangeo Antonioni to Italy. Khalid M...

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The Big Bollywood Dream

The story of Sapan Krishna, who has featured in ads and films, and waits to attain stardom without the mandatory round of sexual favours and da...

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Saluting Akbar Padamsee, an artist and a beautiful mind

It was with a tentative sense of bravado that I had approached Akbar Padamsee, supremo artist, for the use of one of his brilliant metascapes &...

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This Mercurial Man Amit Khanna: Man of 2020

I send him a list of questions by mail and request him to take his time to answer them and I also added to my note, that it’ll be great i...

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