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Whose Bollywood is it anyway?

Vinta Nanda disagrees with Kangana Ranaut’s rants on national television, which cleverly camouflage political mischief.<...

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Pivotal, Not Seminal: Indian Matchmaking

Since its release a couple of weeks back, Indian Matchmaking, has raced to the top of the charts for Netflix in India, writes Dr Sandee...

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Return of the Migrant Worker

Approximately 30 lakhs migrant workers have returned to Mumbai to earn a daily living, out of sheer helplessness, writes Khalid Mohamed...

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Of Borders and Boundaries

In a short conversation with Selina Sheth, the Indian-born writer-director Vikram Zutshi, talks of his need t...

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Seema Kohli: From the canvas of her life and art

Aparajita Krishna deep dives to Seema Kohli’s work and brings to you her thoughts, which influence her art.

Soundscaping with Bishwadeep Chatterjee

Vinta Nanda says, this is one of the most interesting interviews she’s done for The Daily Eye in so far. Welcome to the ...

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Khushwant Singh: Salaam to the Sardaar

Humra Quraishi writes about the many conversations she had with Sardaar Khushwant Singh. 

My Darkest Time

In this long-short personal story of having overcome a big challenge, Gaurav Jain says, “When you break your leg, you kn...

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Sudden Impact: In Conversation with Harsh Chhaya

Khalid Mohamed interviews Harsh Chhaya, whose performance as a despotic Papaji in the series U...

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Meet Roshni Nuggehalli and Marina Joseph of YUVA

In this time of Covid-19, the world has witnessed upheaval in almost every sphere of life while impacting the s...

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