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Unholy Propaganda

As the debate on the Uniform Civil Code rages, Humra Quraishi clears the many misconceptions there are floating around, about ...

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Ballavpurer Roopkatha: A Director In-charge

Satyabrata Ghosh distinguishes between an assembly line process aimed to gain eyeballs from that, which enables cinema to rema...

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On Watching Ponniyin Selvan

Satyabrata Ghosh reviews PS-1, a Mani Ratnam film, and discusses why such alternate content is of prime importance at a time w...

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This Distance

Humra Quraishi lays out the importance of the Bharat Jodo Yatra in context to similar Yatras taken by great men like the Mahat...

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The Silenced Valley

Can bringing Cinema to the Kashmir Valley settle the wounds and trauma? No, says Humra Quraishi 

When Dreams Fade

Film historian Dhruv Somani narrates the cautionary tale of Katy Mirza, the Playboy Bunny who sought a career in Bol...

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Double Whammy

Film historian Dhruv Somani writes on Bollywood’s fascination for double role movies, down the decades.

FLASHBACK & FORWARD

Mahabanoo Mody-Kotwal, Om Katare, Ishitta Arun are performing artists who represent three generations respectively, writes Aparajita Kr...

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Srijit Mukherji: A Filmmaker at a Crossroad

Three releases in a month, a fourth lined up. Is Srijit Mukherji spreading himself too thin? Shantanu Ray Chaudhuri ...

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STREET PROTESTS & GROUND REALITIES

The country’s youth on the streets, protesting against the newly introduced recruitment scheme to the armed forces, Agnipath. With unempl...

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