Lal Ghaas Par Neela Ghodha: The Irrfan I knew

Irrfan became a regular visitor to FTII campus and therefore a participant in many “daru” and &ldqu...

Abuli Mamaji is Nikhil Pherwani’s Ahaan

Vinta Nanda writes: For once a film centered on a person differently abled is not about the so-called normally-abled character...

Mush do about something

Khalid Mohamed reviews the pleasant-enough road movie Kilometers and Kilometers from Kerala, the brain-bashing ode to violence...

Our Invisible Men

Film historian Dhruv Somani travels back in time to chronicle 10 B-town films on the classic vanishing trick, first conceptual...

A Bouquet of Talks

This is a bouquet of assorted fragrances, writes Aparajita Krishna

These are narrations t...

Honey Trehan: Raat Akeli Hai & The Twinkling Stars

The stellar cast, fantastic atmospheric visuals, haunting background score, directorial grip on the noir narrative of the film Raat Akeli Hai, ...

Amol Palekar - In a flashback that is very present!

I am often visited by Amol Palekar flashbacks, writes Aparajita Krishna

As time passes by...

Rameshwari wahi jo sab ka man bhaaye

Aparajita Krishna takes us with her on a journey through Rameshwari’s life - from a student of acting to becoming a film star, wife, m...

As messy as it gets

Khalid Mohamed reviews Dolly Kitty Aur Woh Chamakte Sitare and the multiple Emmy Primetime Awa...