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AN ACTOR PREPARES: ASEEM HATTANGADI

A multi-tasker, he is a theatre, film and web series actor. Son of the celebrated actor Rohini Hattangadi and the late theatre director Jayadev...

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IPTA AT 84: RESISTANCE THROUGH THEATRE

Prof. Dr. Avinash Kolhe reflects on IPTA’s 84th year celebrations, tracing its extraordinary legacy of political theatre...

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COCKROACH GENERATION CHALLENGES SILENCE

A viral digital movement inspired by a controversial judicial remark transformed into a youth-led expression of dissent, questioning power, dem...

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STUDENT CITY PART 5

In Prof Dr Piyush Roy’s Student City Part 5, a volatile night at a Pune B-School disc changes friendships, loyalties and...

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BRECHT RETURNS THROUGH BENGALI THEATRE

In an era dominated by cinematic spectacle and digital distraction, writes Arnab Banerjee, a committed group of theatre practi...

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THE SURPLUS ROOM CHRONICLES

Shrishti Shree revisits a disturbing chapter in Mumbai’s newspaper industry, where journalists were isolated, silenced, ...

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STUDENT CITY PART 4

Written by Prof Dr Piyush Roy, Student City Part 4 revisits the emotional rivalries, campus politics, friendships and...

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THE STING BEHIND BOLLYWOOD PAPARAZZI

Khalid Mohamed, without being judgmental, reports on the love-hate relationship of the celebrities and the paparazzi – a...

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MAHOGATHA REVIVES MAHASHWETA DEVI’S LEGACY

Prof Dr Avinash Kolhe reviews Mahogatha, a powerful Marathi theatrical adaptation of three stories by Mahasweta Devi,...

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BOLLYWOOD MOTHERS BECOME MODERN MOMS

On Mother’s Day, writer Monojit Lahiri reflects on Bollywood’s evolving screen mothers, tracing the journey from s...

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