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RENAMING AND SHAMING!

Humra Quraishi discusses the weapons of mass ‘distractions’ being used, by the Right-Wing forces, to deflect peopl...

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DOES WATCHING ART-HOUSE CINEMA RAISE YOUR SOCIAL STATUS?

Now that the Kolkata Film Festival is done and dusted, Monojit Lahiri does a checkout on this contentious issue.   Read More

Those Haunting Melodies

Film historian Dhruv Somani, laments the end of the mel...

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Rhythm ‘n’ Blues

Megha Ramaswamy’s documentary, The Last Music Store, entices Khalid Mohamed to stroll down the memory lanes of Rhythm Ho...

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All about flesh and blood

Humra Quraishi responds to the unnecessary hungama surrounding Halal, a noise not sparing even Haldiram’s Falahari Packe...

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Music Knows No Caste

After garnering critical acclaim and winning the FIPRESCI Award at the Bangladesh International Film Festival 2022, Bangladeshi filmmaker Shabn...

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The Human Voice

Khalid Mohamed, who was commissioned to write the official autobiography of Nusrat Fateh Ali Khan (1948-1997)...

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Women and Welfare

Humra Quraishi’s commentary today views welfarism and how it has gone wrong in India because it was applied only after p...

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This Distance

Humra Quraishi talks about the senselessness of war and its impact on the lives of helpless people – she questions the p...

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Photo Feature: The gifted Vickky Idnaani

Vinta Nanda collided with photographer Vickky Idnaani at a dinner party the other day and here she reproduces a fun conversation she had with him.

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