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‘You Want Crorepati Glasses?’

It’s everywhere, on the streets, in living rooms, on cellphones and endorsement billboards. Khalid Mohamed writes on the...

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ILA ARUN: GIVING VOICE TO LIFE

Ila Arun is a woman of many parts and one who is in command of all of them. She has a contagious zest for life, writes Aparajita Krishna <...

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BEGINNINGS

In a flashback interview, Aamir Khan talks to Khalid Mohamed about the pleasures and pains of acting.

BEHIND THE STARDOM IS AN IGNORED ACTOR

True or False, asks Monojit Lahiri who’s in an investigative mood today!

It was som...

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The Making of Amruta Subhash

Aparajita Krishna writes, “Amruta Subhash was cradled by very strong creative influences. Mother Jyoti Subhash (nee Desh...

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APARAJITO: A PARODY MASQUERADING AS A ‘TRIBUTE’

Pandering to the Bengalis’ juvenile fondness for wallowing in nostalgia, Anik Dutta’s film is a monument to artifice. Nothing, not ...

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Salty and Spicy

Film historian Dhruv Somani marvels at Gulzar’s women-centric flavored Namkeen (1982).

Tum kya History Parathe ho?

Humra Quraishi writes: Words like riots and rioting hit you hard, because they announce another round of destruction of human ...

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Grandma Dearest

Film historian Dhruv Somani pays homage to the uncanny life and career of Leela Mishra, the ever-lovable grandma of Indian cin...

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All about flesh and blood

Humra Quraishi responds to the unnecessary hungama surrounding Halal, a noise not sparing even Haldiram’s Falahari Packe...

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