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No Coincidence No Fiction: The Urban Mela

Ranjit Rodricks writes that the loot that’s taking place in broad daylight today, is just like a Mela in a faraway villa...

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The Forever Story: Protima Gauri (Bedi)

Humra  Quraishi writes that Protima Bedi, was the quintessential modern Indian woman who had once written her own destiny...

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Farmlands of Gujarat: Escape for city-dwellers

Photo-feature by Mahipal Vala, on the momentary idyll at his ancestral farmland in Amreli district, Gujarat.

Return of the Migrant Worker

Approximately 30 lakhs migrant workers have returned to Mumbai to earn a daily living, out of sheer helplessness, writes Khalid Mohamed...

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The second last word

Vinta Nanda writes about the prevailing culture in the business of media and entertainment in India. 

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Snake Bites: Bollywood’s Naagins

Film historian Dhruv Somani takes stock of the Naagin and Naag movies, which have crowded the Bollywood repertoire for decades...

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Food

A photo essay by SL Shanth Kumar and the pictures are edited by Sailesh Andrade

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Panchayat: Apna Gaon Apna Desh

Three cheers to Panchayat, a binge-worthy series at long last, in these stricken times - Khalid Mohamed

Those Magnificent Women and their Flying Machines

The more you want to know Mini Vaid the more there is to her that remains unknown. An author, filmmaker, journalist and television reporter...

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Set in rural India, ‘Period. End of Sentence’ wins Oscar 2019

The 91st Academy Awards ceremony that honoured the best films of 2018 was held on February 24, 2019, at the Dolby Theatre i...

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