Sex, lies and web chats

Khalid Mohamed reviews the widely-lionised Malayalam film C U Soon, Yaara an exhibition of bare chests-‘n’-bespoke...

My Darkest Time

In this long-short personal story of having overcome a big challenge, Gaurav Jain says, “When you break your leg, you kn...

Grannies, Groins & Growing up: Sonnets from Early Memories

The experiences in Farrukh Dhondy's childhood that formed the man are worked into a collection of sonnets that are fun, charmi...

Our Tarzans: Bollywood’s romance with the Lord of the Jungle

Film historian, Dhruv Somani, tracks down the unusual repertoire of desi Tarzan movies, which once used to delight Indian audi...

Rain Watch

Sameer Rattonsey, a resident of Bandra, captures the sunsets, even as the weather over Mumbai continues to be unpredictable...

The Guru: Gautam Rajadhyaksha (1950-2011)

Khalid Mohamed writes on the imperishable legacy of the pioneering photographer of celebrity portraits.

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Video Gaga

Film historian Dhruv Somani excavates the exclusive made-for video movies by Nari Hira and other producers, way before the arr...

How marketers can think about a Post - COVID-19 world

Perhaps it may be a little too early to say this, but we may be reaching peak lockdowns in many places around the world. The curves aren’...

The legend of Raj Kapoor in times of hyper PR

“Awara is a classic. The times in which it was made were very different. Gone With the Wind was the flavor of the seaso...