CONFLUENCE OR CONFLICT: SCREEN V/S STAGE

Monojit Lahiri attempts to explain how the screen and stage reside in two entirely different orbits with the only commonality ...

PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA

His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.

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Srijit Mukherji: A Filmmaker at a Crossroad

Three releases in a month, a fourth lined up. Is Srijit Mukherji spreading himself too thin? Shantanu Ray Chaudhuri ...

FIGHTING FOR BASIC RIGHTS AND FREEDOM

The word 'intolerance' comes with baggage. It implies ego, inflexibility and an attachment to opinion, writes Anupama Mandloi<...

Odes to Pandit Shivkumar Sharma

Santoor maestro, Pandit Shivkumar Sharma recently passed away. Senior musicians speak to Monarose Sheila Pereira to ...

Back to the Future

Film historian Dhruv Somani, in conversation with Sonu Walia, who had quit the Bollywood scene prematurely but ...

BENGALI MAESTROS ON THE FAMOUS 4!

Aparajita Krishna writes, “Like the persons quoted herein many of us live with the memories of those times in Indian cin...

The Oscar Rosters 2022 - A Post Hoc Analysis

A detailed, spoiler free analysis of Oscar nominees and winners, with commendations on why some won, and regrets on why some didn’t, by <...

The Human Voice

Khalid Mohamed, who was commissioned to write the official autobiography of Nusrat Fateh Ali Khan (1948-1997)...