AMITABH BACHCHAN AND THE ANGRY YOUNG MAN

One of the biggest box-office failures of the superstar’s career, Alaap boasts one of his subtlest performances and, arguably, the best m...

Crime Drama, Women and Claude Chabrol!

Writes Vandana Kumar, “No one takes you away from one-dimensional morality while trying to fathom his women charact...

Gehraiyan – Yes or No?!

Monojit Lahiri investigates how deep is deep in extra-marital journeys, in reel and real life.

Read More

Winds of Change in Uttar Pradesh

Subhashini Ali analyses the political scenario in Uttar Pradesh, soon going to elections, and finds that the winds of change seem imminent.

Fast-mo...

More Sinned Against Than Sinning!

Monojit Lahiri attempts a non-judgmental take on ‘Brand Bollywood’.

Art. Real...

What Bollywood can learn from Hollywood

Monojit Lahiri does a hard close-up at the changing attitudes of Hollywood stars toward Indie films and proposes that Bollywoo...

A mutiny or a plea for independence

As discussions continue, Farrukh Dhondy remembers writing a script for Ketan Mehta - Rani of Jhansi, which was hijacked of cou...

The magical language of Gulzar

Juhi Saklani looks at the way filmmaker, poet, lyricist and writer Gulzar creates language and immortalizes his words by makin...

Taboo Love and the Sensibility of Agnès Varda

Her cinema played with subversive and controversial subjects even as she kept up her engagement with the political environment of her times int...