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WHY ARCHIVING CINEMA MATTERS: NEVILLE TULI

A wide-ranging conversation on archives, cinema, and cultural consciousness, where interviewer Vinta Nanda engages Nev...

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REVIEW: HAPPY PATEL - KHATARNAK JASOOS IS BIG ON INTENT, LIGHT ON LAUGHS

The actor-director’s spy spoof aims for absurdist satire but collapses under stereotypes, scattered themes, and overextended gags, despit...

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KALEIDOSCOPE: LUCKNOW BETWEEN PAST AND NOW

Cultures are never frozen in time, they keep moving, keep evolving.
Filmmaker and writer Sharad Raj reflects on Lucknow as a city negotiat...

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BUSINESS: GIG WORK AND CAPITALIST FAILURE

Sharad Raj examines the New Year’s Eve gig workers’ strike to expose how neo-capitalism, privatisation, and algori...

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POWERFUL PEOPLE: A BEAUTIFUL MIND

Veenapani Chawla’s chance encounter with Naseeruddin Shah culminated in the birth of the Adishakti Laboratory for Theatr...

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THOUGHT FACTORY: PREGNANT RECALLS!

Writer Aparajita Krishna weaves memory, cinema, politics, motherhood and moral courage into interlinked recalls, moving from S...

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POWERFUL PEOPLE: THOSE BASIC VISUAL INSTINCTS

Ravi K. Chandran, among the A-list of superstar technicians of Hindi and south Indian language cinema, has excelled in his met...

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BOLLYWOOD: TRIUMPH THAT OUTLIVES THE WAR

A reflective, humanist reading of Sriram Raghavan’s Ikkis, Arnab Banerjee examines war beyond valor, locating memory, gr...

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TELEVISION: HOW I MET SATYAM, TRULY

A moving, intimate remembrance by Sharad Raj of writer Satyam Tripathi—his brilliance, arrogance, tende...

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BOLLYWOOD: AKSHAYE KHANNA, ECHOES OF BRANDO

Monojit Lahiri investigates how Akshaye Khanna’s fiercely private stardom, selective choices, artistic ...

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