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As messy as it gets

Khalid Mohamed reviews Dolly Kitty Aur Woh Chamakte Sitare and the multiple Emmy Primetime Awa...

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Evening Shadows nominated in Best Gender Sensitive Script

Two LGBTQ films among five nominated in the first ever recognition of gender sensitivity in Indian feature film writing

Salim Arif: His Work of Many Parts

It is a daunting task to undertake summarising Salim Arif’s multifaceted talent and work resume in a few pages, writes ...

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Similar strokes

Call it a coincidence or plain copycatting. Film historian, Dhruv Somani, writes on the curious clashes between Bollywood film...

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She loved Cinema: Pamela Rooks

Humra Quraishi revisits the life and times of Pamela Rooks. And, her films, Miss Beatty’s Children and Train to Pakistan...

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Radical and Revolutionary: Smruti Koppikar

In this interview with Vinta Nanda, Smruti Koppikar throws light on the way that journalism in India has chan...

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Practise Propriety: CINTAA to Indian Television News Media

The Cine and TV Artists Association (CINTAA) is upset over the objectionable way that a section of Indian Television News Media is characterizi...

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A Ringside View of Circus

Janaky Sreedharan writes that to read a book on circus is, in a way, to revisit our childhood - to recall the color, joy and a...

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Don’t Call her Aunty

Khalid Mohamed finds relief in Masaba Masaba and other fare on the streaming channels currently.

Rucha Pathak: Giving vision and wings to the entertainment-fare.

Aparajita Krishna goes on a long walk with Rucha Pathak and gets her talking about her journey - from a student of media to le...

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