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Reincarnation: Bollywood’s affair with rebirth

Film historian Dhruv Somani gives you a lowdown on the ...

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No Entry: Hazards in staging a theatre play in Mumbai

Khalid Mohamed recounts his peril-fraught, one-off experience in staging ‘Kennedy Bridge’, a play on yesteryear&rs...

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For Name’s Sake: Bollywood’s penchant for screen names

Film historian, Dhruv Somani, traces the saga of leadin...

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Admitted

Ojaswwee Sharma’s award Winning Feature Film – a Docu-drama about Transgender Education Rights was released yesterday, 13th June 20...

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Kashish 2020 goes Virtual

First major film festival in India to go online completely with a full-festival lineup of new LGBTQIA+ films from across the world

Considering that the city, the na...

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Status Single & Lockdown

On April 1, 45-year-old auditor, divorcee, Kriva, who quit her last job in December after being harassed for being single, picked on for lookin...

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In Exile: The last years of M.F. Husain

Khalid Mohamed rewinds to an interview with M.F. Husain, the peerless artist, who had to spend his end-years jet-hopping betwe...

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Guns & Roses: Bollywood’s Dacoit Women

Film historian Dhruv Somani reminds you of the time when women characters wouldn’t take nonsense from the Thakur potenta...

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Scent of Music: AR Rahman

Khalid Mohamed rewinds to one of his chatty conversations with the Mozart of Madras.

When...

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Snake Bites: Bollywood’s Naagins

Film historian Dhruv Somani takes stock of the Naagin and Naag movies, which have crowded the Bollywood repertoire for decades...

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