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The Simran Magic

Khalid Mohamed zooms back in time to share his discussion with Kajol, on her imperishable performance as Simran, with Shah Ruk...

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Winds of Change in Uttar Pradesh

Subhashini Ali analyses the political scenario in Uttar Pradesh, soon going to elections, and finds that the winds of change seem imminent.

Fast-mo...

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The Poetry of the Quotidian of Aki Kaurismäki

Vandana Kumar writes, “To think of Finnish cinema, is to think of Aki Kaurismäki. Apparently, this perception isn&r...

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Abanindranath Tagore: The enigmatic original who wrote art and painted words

The founder of the Indian Society of Oriental Art, Abanindranath Tagore’s work defies any straightjacketing, writes Shantanu Ray ...

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PG Digging-Bombay Ishtyle!

Aparajita Krishna remembers being a Paying Guest once, she recalls the famous Ganga Vihar through talks with famous residents ...

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Where are the men and their many wives?

Humra Quraishi questions the vicious propaganda being spread against Muslim communities by Right-Wing forces that say that the...

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Welcome to the ‘Young Collectors’ Weekend’!

Indian millennials are a force to be reckoned with, writes Teesta Bhandare, while introducing readers to the online art festiv...

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Acting ke peeche kya hai?

The ever-charismatic Madhuri Dixit, in a flashback conversation with Khalid Mohamed on how she perfected the art of acting by ...

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Why a Statue of Netaji now?

Subhashini Ali explains why the statue of Netaji will not transform the Prime Minister into an inheritor of the legacy of the ...

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Women in Cinema Collective: A Work In Progress

“An actress was a person who could never own herself,” writes Janaky Sreedharan in her piece about the role played...

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