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Whose Bollywood is it anyway?

Vinta Nanda disagrees with Kangana Ranaut’s rants on national television, which cleverly camouflage political mischief.<...

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As Tears Go By

Khalid Mohamed reviews the emotionally volatile Pakistani series Khaani, and the quirky Churails, dealing with a vigilante gro...

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To the story I was born

Aparajita Krishna plunges into her rich past, where there is a paean to her left leaning parents who inhabited India’s r...

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Just Carry on: Ebrahim Alkazi

Aparajita Krishna walks you through the life and times of Ebrahim Alkazi; also what it was, that he meant to Indian Theatre.

Soundscaping with Bishwadeep Chatterjee

Vinta Nanda says, this is one of the most interesting interviews she’s done for The Daily Eye in so far. Welcome to the ...

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Order! Order!

Film historian Dhruv Somani, zooms in on Bollywood&rsqu...

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Takes two to duet: Lata Mangeshkar’s duets with female singers

Anil Dixit handpicks a selection of rare film duets in which other female singers matched up t...

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Framed: Film Editor Ballu Saluja

Aparajita Krishna, writer and filmmaker, profiles the much accomplished editor Ballu Saluja in...

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Sudden Impact: In Conversation with Harsh Chhaya

Khalid Mohamed interviews Harsh Chhaya, whose performance as a despotic Papaji in the series U...

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Meet Roshni Nuggehalli and Marina Joseph of YUVA

In this time of Covid-19, the world has witnessed upheaval in almost every sphere of life while impacting the s...

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