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ALTERNATIVE ENTERTAINMENT: AND THE LEGACY LIVES ON

Khalid Mohamed in conversation with Ramu Aravindan, founder of a Documentation Centre and a soci...

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BOLLYWOOD: STORIES OF STRUGGLE AND SURVIVAL

The marginalised have never had it easy—but in our own fractured land, their journey is not just arduous, it is often soul-scarring, as N...

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RETROSCOPE: VILLAIN WITH GOLDEN HEART

Pran Krishan Sikand, the unforgettable screen villain, was in real life a warm and generous neighbour. Monojit Lahiri recalls ...

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RETROSCOPE: A BITTERSWEET STROKE OF INTERVENTION

A nostalgic journey from childhood Chitrahaar evenings to Hrishikesh Mukherjee’s Jurmana, tracing Bachchan’s evolving imag...

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THOUGHT FACTORY: FILMS. AUDIENCES. FILM CRITICS.

India, the world’s largest film-producing nation, thrives on cinema and media, yet its film critics remain undervalued. Monojit Lahiri investigates t...

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KALEIDOSCOPE: BREAKING BARRIERS IN BRAILLE LITERATURE

In the culturally vibrant town of Nagaon, Assam, where art and literature blend with daily life, Anjali Mahanta’s journe...

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BOLLYWOOD: SAME OLD LOVE STORY RETURNS

North Meets South, Clichés Meet Screen: Kerala Endures Yet Again! A tired cross-cultural romance that recycles clichés, Param Sundari offers postcard...

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TRENDING: COMPLEXITY, NUANCE, POLITICAL CORRECTNESS & SHAM

From Aryan Khan’s debut to Dhadak 2, Heart Lamp, and fifty years of Sholay, this article by Sharad Raj...

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RETROSCOPE: FORGOTTEN WOMEN OF HINDI CINEMA

Those forgotten B-grade movie divas of yesteryear: Khalid Mohamed recalls Indira ‘Billi’, Chitra and Naqi Jehan, j...

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FESTIVALS: FROM BUSAN TO SUNDANCE AND BACK HOME

Indian cinema continues to find new ground on the international stage, as emerging filmmakers and bold regional voices redefine the scope of st...

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