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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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DIWALI IS SERVED WITH LOVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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HAS SOCIAL MEDIA HIJACKED STARDOM?
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Search ResultTRENDING: A SPRING SONG STATE OF MIND
Hindi film songs have celebrated the onset of spring in myriad ways. Shantanu Ray Chaudhuri looks at 5 songs plus one bonus fr...
Read MorePOWERFUL PEOPLE: ART, LEGACY, AND INFINITE EXPRESSION
Gopika Dahanukar carries forward her mother Prafulla Dahanukar's artistic legacy, blending tradition and innovation through music, visual art, ...
Read MoreBOLLYWOOD: BOLLYWOOD’S LYRICAL JOURNEY....
Yesterday, heartfelt. Today, heartattack!! Monojit Lahiri investigates the lyrical shift in Bollywood, exploring how soulful p...
Read MoreGENDER: WHY INDIAN MEN AVOID HOUSE WORK??
Mammas boys? Traditional/generational conditioning? Lazy? Mardangani? Monojit Lahiri examination controversial question about ...
Read MorePOWERFUL PEOPLE: CINEMA, ART AND REVOLUTION
From crafting visionary films to building an inclusive filmmaking community, Kabeer Khurana redefines cinema as a mirror of society and a tool ...
Read MoreFESTIVALS: ARE DADS LESS IMPORTANT THAN MOMS?
To address why Mother’s Day is celebrated with such grandiosity and emotion compared to the more subdued Father’s Day, Mono...
Read MoreKALEIDOSCOPE: CINE-INTERIORS BY DEVDUTT TRIVEDI
Devdutt Trivedi, a film scholar, reassesses Mani Kaul's cinema in his book "Cine-Interiors: The Films Of Mani Kaul," which is reviewed by
BOLLYWOOD: CHORI MERA KAAM OR CHOR-EO-GRAPHY
Monojit Lahiri investigates Bollywood’s skilled art of plagiarism down the decades without batting an eyelid and of cour...
Read MoreALTERNATIVE ENTERTAINMENT: A POETIC DOCUMENTARY
This week it is O.P. Srivastava's tryst with temporality as he remembers Mani Kaul's documentary film, a masterpiece, Siddhesh...
Read MoreMOVIES: THE ORIGINAL GLAM DIVAS OF BOLLYWOOD
Both of them made relatively quiet debuts in the early ‘70s, Zeenat in OP Ralhan’s Hulchul (1971), and Parveen in BR Ish...
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