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JAANE BHI DO YAARO: FOREVER IN RECALL!

Aparajita Krishna unplugs the cult classic that has already consumed generations left behind and will continue to enthral, del...

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THE GERSON DACUNHA DIARIES

On the 7th of January, his first death anniversary, we remember Gerson Dacunha through one of his last conversations with Ni...

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Two-in-one

Film historian Dhruv Somani tracks the double-pronged career of Feroz Khan, as an actor and director of tremendous s...

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DIVYA SETH SHAH: Actor for a Lifetime!

Aparajita Krishna is in this free-wheeling conversation with actor Divya Seth – packing her life, friends, family and ca...

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Figuring out Chaddha

An essential quality of cinema is to portray moments that are transitory in human life, writes Satyabrata Ghosh in his take on...

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FLASHBACK & FLASHIN-FORWARD!

Aparajita Krishna, here, flashbacks and goes forward with Gopi Desai, Podcaster, Actor, Filmmaker and Writer and Suhail Akhtar...

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A Requiem For Mayfair Cinema

English movies which essentially meant Hollywood films (Hollywood being the benchmark for “good cinema” catering to the English-spe...

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When Dreams Fade

Film historian Dhruv Somani narrates the cautionary tale of Katy Mirza, the Playboy Bunny who sought a career in Bol...

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IMMORTAL ACTS OF AMJAD KHAN

Aparajita Krishna asks commentators, including his wife Shehla Khan, son Shadaab Khan and daughter Ahlam Khan Karachiwala...

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PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA

His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.

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