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Thought Factory

INDIAN FARMERS BLINDSIDED BY CINEMA

Khalid Mohamed examines the deepening crisis faced by India’s farmers and how their ongoing struggles are overshadowed b...

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Powerful People

NADIRA BABBAR’S THEATRE LEGACY IN PRINT

Vinta Nanda visits Nadira Babbar ahead of Ekjute’s landmark launch of eighteen published plays written by her, <...

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Sustainable Development

TWO-CHILD NORM ENDANGERS CHILDREN AND DEMOCRACY

A shocking murder in Maharashtra exposes the dangers of India’s two-child norm, as Population Foundation of Indi...

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Kaleidoscope

ART IS BORN FREE: TEJAS SONI’S JOURNEY

Ahmedabad-based artist Tejas Soni reflects on five decades of living artfully—across painting, sculpture, wildlife and s...

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Festivals

TRIS FEBRUARY 2026 EXPLORES CINEMA ART CONSCIENCE

TRIS February 2026 presents exhibitions, film screenings, and conversations in Delhi, highlighted by a TRIS–WIFF...

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Bollywood

MARDAANI 3 RETURNS WITH GRIT AND LIMITS

In his review, critic Arnab Banerjee examines how Mardaani 3 revives Shivani Shivaji Roy with urgency and moral force, while q...

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Festivals

KALA GHODA ARTS FESTIVAL 2026: AHEAD OF CURVE

Mumbai’s iconic Kala Ghoda Arts Festival returns for its 26th edition, transforming public spaces into ...

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Powerful People

WHY ARCHIVING CINEMA MATTERS: NEVILLE TULI

A wide-ranging conversation on archives, cinema, and cultural consciousness, where interviewer Vinta Nanda engages Nev...

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Bollywood

REVIEW: HAPPY PATEL - KHATARNAK JASOOS IS BIG ON INTENT, LIGHT ON LAUGHS

The actor-director’s spy spoof aims for absurdist satire but collapses under stereotypes, scattered themes, and overextended gags, despit...

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Kaleidoscope

KALEIDOSCOPE: LUCKNOW BETWEEN PAST AND NOW

Cultures are never frozen in time, they keep moving, keep evolving.
Filmmaker and writer Sharad Raj reflects on Lucknow as a city negotiat...

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