Hindu Khatre Mein Hai

Humra Quraishi looks at how the many things that threaten India are not being addressed by the media, and the things that don&...

The Oscar Rosters 2022 - A Post Hoc Analysis

A detailed, spoiler free analysis of Oscar nominees and winners, with commendations on why some won, and regrets on why some didn’t, by <...

The uphill struggle to adulthood

A critical analysis of Rima Das’s Bulbul Can Sing (2018) by Dipankar Sarkar.

With h...

KAMLESH PANDEY: Ballia to Bollywood via Ishtihaarpur

Aparajita Krishna goes with adman, writer Kamlesh Pandey on a long walk through his life and career, bringing back beautiful m...

STARFARE-FILMDUST: A Flashback

Aparajita Krishna recalls the magical times of film magazines and the gossip about film stars they carried, through the voices...

Soumitra Chatterjee: A Filmmaker Remembers

In a freewheeling conversation with Anuradha Warrier, critically-acclaimed director Suman Ghosh talks about his forthcoming bo...

Facts about Indian Muslims

Humra Quraishi leans on facts and figures to draw a picture of the state of the Muslim community in India.

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The Indian ‘New Wave’ for the Millennial

Even though I use a lot of close ups, “Once upon a time, long, long ago…” should be the tone and tenor of this account from ...

More Sinned Against Than Sinning!

Monojit Lahiri attempts a non-judgmental take on ‘Brand Bollywood’.

Art. Real...