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The uncertainty of life in the Pandemic

Nanna was tall and erect even at 78 she would complete all postures of namaz, writes Farah Diba Israfil

At Vanishing Point

As one more beautifully-architected bungalow on Little Gibbs Road bites the dust, Khalid Mohamed writes on the changing face o...

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The Scattered Rainbow

Darshan Mondkar has been a social and political commentator since 2010, writes Vinta Nanda in this piece compiled by her. &nbs...

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A Bouquet of Talks

This is a bouquet of assorted fragrances, writes Aparajita Krishna

These are narrations t...

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Salim Arif: His Work of Many Parts

It is a daunting task to undertake summarising Salim Arif’s multifaceted talent and work resume in a few pages, writes ...

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To the story I was born

Aparajita Krishna plunges into her rich past, where there is a paean to her left leaning parents who inhabited India’s r...

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Chann Pardesi: Reuniting with the cult-classic

Aparajita Krishna writes, Chann Pardesi would be a stranger to the young cine-goer, India 2020, including the young diaspora g...

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Order! Order!

Film historian Dhruv Somani, zooms in on Bollywood&rsqu...

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Justice for Jayaraj and Fenix

Anupama Mandloi writes that repressed ills of society have begun to boil over from years of subjugation into a world, which is...

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A Journalist and two Gentlemen: Farooq Shaikh and Parvez Dewan

In the backdrop of actor Sushant Singh Rajput’s suicide, Humra Quraishi is reminded of what two gentlemen, Farooq Shaikh...

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