The Masque of Life

Lalitha Lajmi’s latest collection “Masque of Life” is inspired by her belief in the statement “Life is a stage”. Coming from a family of filmm...

WASTELAND – SO THAT NO ONE BECOMES AWARE OF IT

Synopsis

About 40,000 refugees, including families with children, live sometimes about more than ten years in camps throughout Germany, usually ver...

True Review: Bullett Raja

Tigmanshu Dhulia has created a devastatingly disappointing film. Not that one expects a lot from a movie called “Bullet Raja” but one always hopes for the best....

Truth or Dare…? The Alchemy of Desire Deconstructed

I am completely compelled and driven by an intense need to write this piece because I’m no longer now, able to be in denial of the force driving me to give some persp...

Garlic Tales

The day shimmered in the April heat. Vehicles of all shapes and sizes whizzed or trundled past, making the service road shudder at regular intervals. This made for a slight...

What is a connection?

In a world full of people, we still manage to relate to the experiences of others on a purely empathic level. Society has somehow distorted our ability to connect and has b...

BLOOD ON THE DIGITAL DANCE FLOOR

It’s hard to steer clear from the political process in India any longer, hard to ignore the shrill cacophony that dominates as well as overpowers sensibilities and wi...

Intangible cultural heritage: A force for sustainable development

No society can flourish without culture – and no development can be sustainable without it. Culture holds answers to many of the challenges societies face today. Awar...

One on one with the showman himself, Mr Subhash Ghai

The team at ACEE contacted Mr. Subhash Ghai on the 36th anniversary of Mukta Arts . We discussed
his upcoming project “Kaanchi”, a powerful drama that narr...