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Yesterday’s Agent Vinod: Why he quit Bollywood

Film historian, Dhruv Somani, tracks down Mahendra Sand...

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Undekhi: Plain Vanilla, Distasteful Hype

Dr Sandeep Goyal says that SonyLiv's latest thriller offering Undekhi, has landed itself in an unenviable soup of its own maki...

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Indian Media: Delete, Copy, Paste & Repeat

Amit Khanna writes that a simple definition of news is organized information about a changed situation, events, happenings and...

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KASHISH 2020: Fifty-two films in competition

KASHISH 2020 Virtual, will screen 157 films from 42 countries
The 11th edition of KASHISH Mumbai International Queer Film Festival, South...

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Guru Dutt: A Life Interrupted

Humra Quraishi observes from the auteur Guru Dutt’s life, how fragile artists are when they’re possessed by their ...

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The second last word

Vinta Nanda writes about the prevailing culture in the business of media and entertainment in India. 

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Justice for Jayaraj and Fenix

Anupama Mandloi writes that repressed ills of society have begun to boil over from years of subjugation into a world, which is...

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Shibu Natesan: Doing it my way

Khalid Mohamed interviews the eminent artist Shibu Natesan, who has varied from images of political protest to nature studies,...

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Designed by Desitiny: Pierre Cardin

Humra Quraishi says Pierre Cardin is perhaps the oldest surviving fashion designer, himself designed by destiny - he turns 98 ...

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Status Single & Lockdown Part II

Sreemoyee Piu Kundu says, due to the Covid-19 lockdown, many women are walking the tightrope of working at home and also worki...

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