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Avoidable: The 'ageism' bias

With all that is being written in the media these days about ageism, I should not (actually could not) have done all that I did over the years,...

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Hit after hit

He wasn’t exactly the critics’ darling but the masses loved him. Film historian, Dhruv Somani salutes the hit-make...

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Salim Arif: His Work of Many Parts

It is a daunting task to undertake summarising Salim Arif’s multifaceted talent and work resume in a few pages, writes ...

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Self Indulgence to Self Discovery

Bhooma Sundararajan writes, that boredom and inaction sets in when one has a lot of empty time...

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No Man is an island

Rinki Roy Bhattacharya writes that the relentless media coverage about the pandemic we are all stuck in was guaranteed to...

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Similar strokes

Call it a coincidence or plain copycatting. Film historian, Dhruv Somani, writes on the curious clashes between Bollywood film...

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Radical and Revolutionary: Smruti Koppikar

In this interview with Vinta Nanda, Smruti Koppikar throws light on the way that journalism in India has chan...

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Practise Propriety: CINTAA to Indian Television News Media

The Cine and TV Artists Association (CINTAA) is upset over the objectionable way that a section of Indian Television News Media is characterizi...

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Rucha Pathak: Giving vision and wings to the entertainment-fare.

Aparajita Krishna goes on a long walk with Rucha Pathak and gets her talking about her journey - from a student of media to le...

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The Glad and the Sad

Even as COVID-19 spikes on, the film soundtracks of yesteryear offer some solace and relief. Khalid Mohamed writes on the vast...

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