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The Man With Two Faces

In today’s fractured world, a white-skinned Urdu-speaking man would either be a suspect or an asset.  Most of David Coleman Hea...

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Education is World’s Vaccine against Terrorism

Terrorist attacks and their aftermath have had a powerful impact on families, especially children. In Douma, Sy...

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Questioning Society’s long history of Villainizing Women

Amanda Knox knows all too well what it’s like to be made into a villain. The 30-year-old writer-activist'...

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Finally, Television get REAL with the Portrayal of Single Women

Most female leads in most TV series face troubles in their relationships. But in the end when their boyfriends ...

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Haidar Ali @70 & His Familial Film Heritage: A Treasure Trove

Voter-India ought to be voting Nirbhaya (unafraid) in 2018/ 2019 also for the freedom of Film India, Fashion In...

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When Love Dies

The title may sound mundane but Tayari Jones’s An America...

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How do we Indians Protect our Beti?

Over ten years ago, in 2006, Anu Ranjan, the Co-Pu...

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Collateral: Wrestling with the Refugee Crisis

Collateral is an avant-garde approach to storytelling. The narr...

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Headless Women of Hollywood

A movie poster featuring a group of men framed by JUST a woman’s legs or bust or any other body part, except the head and/or face is a co...

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All the World’s a Stage, Not in Mumbai Theatre at Least

Frankly, theatre didn’t prove to be that long-cherished platform to tell a story which was of some value to me – a story about a pre-teen boy who was saved from...

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