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RAMAYANA NEEDS MORE EMOTIONAL DEPTH
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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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DIWALI IS SERVED WITH LOVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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Search ResultCLOSE TO THE GARDEN OF BROKEN SHADOWS
Humra Quraishi traces the events from 6th December 1992 to the recently concluded assembly elections, bring to fore...
Read MoreTHROUGH THE RADIANCE: AN EXHIBITION OF AMOL PALEKAR’S ART
Through the Radiance it is aptly called, because as you step into the exhibition at the Jehangir Art Gallery you are captivated by Amol Palekar...
Read MoreANKUR: THE SAPLING OF PARALLEL HINDI CINEMA
“In the early 1970s, a new class of population was emerging in India, which had started to get rid of the legacy of the past and reboot t...
Read MoreAMIT KHANNA’S JOURNEY AS A LYRICIST
Shantanu Ray Chaudhuri goes past many of Amit Khanna’s talents and brings fo...
Read MoreBADHTI KA NAAM DADHI: THE NEW TREND OF FACE FUZZ!
Monojit Lahiri borrows the title of the genius Kishore Kumar’s goofy satire from the classic ‘Chalti Ka Naam Gaadi...
Read MoreBOLLYWOOD TIK-TALK: WHAT A REEL AND STORY DUMP THIS IS!
This week we pick up the latest on Rajkummar Rao, Emraan Hashmi and Sonakshi Sinha, Dia Mirza, Yami Gautam, Zareen Khan, reports the #N...
Read MoreBOLLYWOOD TIK-TALK: WHAT’S COOKING IN THE ENTERTAINMENT WORLD!
From the release of the sensational Made in Heaven 2 trailer to the latest about Shekhar Kapur, Emraan Hashmi, Karishma Tanna – it’...
Read MoreBOLLYWOOD TIK-TALK: RAJKUMAR RAO PAYS HOMAGE TO 90s ERA
Look at the headlines at the start of this week, from Rajkumar Rao’s unstoppable Bollywood dominance, to Nargis Fakhri’s grace and ...
Read MoreTAMAS: THE LIGHT OF TAMAS
Aparajita Krishna writes, “35 years after it lit India’s television screen and cinema, I am herei...
Read MoreI WOULDN’T HAVE IT ANY OTHER WAY!
Vinta Nanda explores the making of a poet, reaching nowhere obviously, because ‘if we knew what makes a poet, everyone w...
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