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Usha Ganguly: A Curtain-Call

Aparajita Krishna walks you through the rich life of theatre stalwart Usha Ganguly, through Om Pareek’s experience of ha...

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The South Wave

Film historian, Dhruv Somani, rewinds to the time when there was an influx of heroines from Southern cinema to Bollywood.

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Renuka Shahane: The Complete Woman

Vinta Nanda is on a rollercoaster ride with Renuka Shahane. The two begin from where the actor...

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The loneliness of an Indian (virgin) Bride

What are Indian wedding dreams made of? – a question Janaky Sreedharan answers as she views it through the lens of the r...

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Home Alone: Neelam Mansingh Chowdhry

It’s Showtime, when you venture out with Chandigarh-based theatre artist, Dr. Neelam Mansingh Chowdhry, writes Vinta Nanda Read More

Honey Trehan: Raat Akeli Hai & The Twinkling Stars

The stellar cast, fantastic atmospheric visuals, haunting background score, directorial grip on the noir narrative of the film Raat Akeli Hai, ...

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Amol Palekar - In a flashback that is very present!

I am often visited by Amol Palekar flashbacks, writes Aparajita Krishna

As time passes by...

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Meet the Raging Bull

Khalid Mohamed reviews Scam 1992: The Harshad Mehta Story, Ginny Weds Sunny and High – the latest fare on streaming plat...

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Salim Arif: His Work of Many Parts

It is a daunting task to undertake summarising Salim Arif’s multifaceted talent and work resume in a few pages, writes ...

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Similar strokes

Call it a coincidence or plain copycatting. Film historian, Dhruv Somani, writes on the curious clashes between Bollywood film...

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