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PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA

His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.

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ART & SOUL OF MUMBAI

BMC in association with Kala Ghoda Arts Festival invites filmmakers and musicians to participate in the UNESCO Creative Cities Network Music Vi...

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Lenses, Women & Trauma

Cinema from Israel has been getting a lot more recognition globally – in terms of prestigious awards and academic courses revolving aroun...

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Women in Cinema Collective: A Work In Progress

“An actress was a person who could never own herself,” writes Janaky Sreedharan in her piece about the role played...

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Facts about Indian Muslims

Humra Quraishi leans on facts and figures to draw a picture of the state of the Muslim community in India.

The sky is not the limit: Syed Asad Abbas

Langston Hughes said, “Hold fast to dreams for if dreams die life is a broken-winged bird that cannot fly” and MC Abbas lives by th...

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How feminism works in rural India

Vinta Nanda explores how feminism works in rural India and the Grassroots Leadership Development Program of CORO India.  ...

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Jai Siya Ram…

Vinta Nanda deconstructs gender inequalities in context to the toxic sexism, which Mamata Bannerjee was subjected to on the po...

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Writing with fire: Khabar Lahariya

India's All-Female News Outlet Battles Sexism, Caste - And Hits The Silver Screen – NPRs Sushmita Pathak interviews Meer...

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They stand united now

The unity program initiated by farm leaders can take the shape of a cultural revolution in rural north India, writes Kancha Ilaiah Shep...

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