TOUCH OF JOY: JOY BIMAL ROY

I shall cherish the materializing of this article. The attempt is to visit the great cinema-maestro Bimal Roy through his son Joy Bimal Roy&rsq...

Shishir Sharma: The Gentleman Actor!

Aparajita Krishna goes on a long walk on the cobbled path of art, theatre and acting with actor Shishir Sharma, whose repertoi...

Women and Welfare

Humra Quraishi’s commentary today views welfarism and how it has gone wrong in India because it was applied only after p...

Rocket Girl

Khalid Mohamed interviews Saba Azad, the multi-faceted actor, dancer, theatre director, singer who made an impact with the ser...

A Laudable Effort Undone by Static Telling

8/12 Binay Badal Dinesh Review by Shantanu Ray Chaudhury.

It remains one of the most dari...

Vikrant Massey: Stardom Wishes this Actor

Aparajita Krishna has a nice long conversation with actor Vikrant Massey – about his growing up years and his evolution ...

Bully Bai and the mainstreaming of hate

Humra  Quraishi questions hate politics and the utter disregard for the Constitution of India by the fringe that is being...

Shifting Paradigms: Malayalam Cinema

Malayalam Cinema has evolved through time, writes Sulochana Ram Mohan. To use a cliché change has been the only constant in Malayalam ci...

An Ode to the Willow

Monojit Lahiri flashbacks to a time, far away and long ago – way before the madness of social media crazed popular imagi...