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The Making of Amruta Subhash

Aparajita Krishna writes, “Amruta Subhash was cradled by very strong creative influences. Mother Jyoti Subhash (nee Desh...

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Salty and Spicy

Film historian Dhruv Somani marvels at Gulzar’s women-centric flavored Namkeen (1982).

Those Haunting Melodies

Film historian Dhruv Somani, laments the end of the mel...

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MERE PAAS MAA - SORRY, MOM HAI!!

Has ‘Hey Mom’ replaced ‘Mataji’ in B-town? On Mother’s Day, Monojit Lahiri discusses t...

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Grandma Dearest

Film historian Dhruv Somani pays homage to the uncanny life and career of Leela Mishra, the ever-lovable grandma of Indian cin...

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TOUCH OF JOY: JOY BIMAL ROY

I shall cherish the materializing of this article. The attempt is to visit the great cinema-maestro Bimal Roy through his son Joy Bimal Roy&rsq...

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Shishir Sharma: The Gentleman Actor!

Aparajita Krishna goes on a long walk on the cobbled path of art, theatre and acting with actor Shishir Sharma, whose repertoi...

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HIT MACHINE

Film historian Dhruv Somani tracks the unique success story of Jeetendra who completed his 80th last week - in a welter of Hin...

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AMITABH BACHCHAN AND THE ANGRY YOUNG MAN

One of the biggest box-office failures of the superstar’s career, Alaap boasts one of his subtlest performances and, arguably, the best m...

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THERE CAN NEVER BE ANOTHER… SUCHITRA SEN!

Matchless! Timeless! Deathless! On her 91st Birthday, Monojit Lahiri pays homage to Bengal’s gone but never forgotten, l...

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