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PRATIBIMBA: MARATHI THEATRE’S SPIRIT

As the fifth edition of Pratibimba Marathi Natya Utsav concluded at the NCPA, Prof Dr Avinash Kolhe reflects on four days of p...

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BORROWED LOVE FADES TOO SOON

Film critic Arnab Banerjee examines Ek Din, a Hindi remake of the Thai romantic drama One Day, questioning whether its poignan...

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MIRROR TO A CAUSE: CINEMA OF ANSHUL SINHA

Anshul Sinha’s journey through indie cinema reflects risk and purpose, as his film Million Views attempts to heal a frac...

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STUDENT CITY PART 1

A sharp, evocative campus romance unfolds in The Daily Eye’s Kaleidoscope section, as Prof Dr Piyush Roy’s compelling ficti...

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MAHESH DATTANI’S THE MONK AND THE WARRIOR

Avinash Kolhe reviews Mahesh Dattani’s The Monk and the Warrior, a cross-cultural queer narrative blending history, myth...

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A TIMELY DIALOGUE AT IFFD 2026

A powerful panel at IFFD 2026 brings together leading independent filmmakers to examine opportunities, challenges, and the evo...

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DELHI RECLAIMS CINEMA AND CREATIVE DIALOGUE

Anchored by Artistic Director Vani Tripathi Tikoo’s powerful reflection, IFFD 2026 marks Delhi’s cultural resurgence through independent cinema...

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DHURANDHAR REVIEW SPECTACLE VERSUS SUBSTANCE

Dhurandhar – The Revenge unfolds as an ambitious spectacle, blending geopolitics, action, and emotional conflict, yet struggles to sustai...

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DELHI FESTIVAL CHAMPIONS INDEPENDENT CINEMA

The International Film Festival of Delhi 2026 launches a dynamic platform uniting mainstream and independent cinema, featuring WIFF Mumbai coll...

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PAGE MEETS SCREEN AT WIFF (LIT) MUMBAI

Where Stories Found Their Voice: WIFF LIT Opens Conversations Between Literature and Cinema