Anwesha Arya: The Miracle Woman

In times when many of Bollywood boys and girls are under the scanner, Vinta Nanda interviews Anwesha Arya &nd...

No Entry: Hazards in staging a theatre play in Mumbai

Khalid Mohamed recounts his peril-fraught, one-off experience in staging ‘Kennedy Bridge’, a play on yesteryear&rs...

Kashish 2020 goes Virtual

First major film festival in India to go online completely with a full-festival lineup of new LGBTQIA+ films from across the world

Considering that the city, the na...

Guns & Roses: Bollywood’s Dacoit Women

Film historian Dhruv Somani reminds you of the time when women characters wouldn’t take nonsense from the Thakur potenta...

Farewell Basu Da

Amit Khanna talks about Basu Chatterjee on the day Indian Cinema has lost him. He recalls how Basu Da was known for having mir...

Cinema of Resistance

Reema Moudgil walks us through some compelling cinema over the last seventy years of India’s independence, which has chr...

Film Appreciation Course with Arunaraje

Film Institute of India and the National Film Archive of India, Pune are conducting an online Film Appreciation Course after their regular summ...

The Master: Soumitra Chatterjee on Satyajit Ray

Even under the uncertainty facing the world at large, following the outbreak of Covid-19, a valiant bid is on in Kolkata to celebrate the cente...

Minority Report

Khalid Mohamed writes on the ceaseless ghettoization of Muslim characters in B-town’s mainstream movies, and now web ser...