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I will always be an art filmmaker - Sanal Kumar Sasidharan

Cinema in the time of spiralling budgets is not his scene. Sanal Kumar Sasidharan, the 41-year-old outspoken di...

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Women Filmmakers Against Misogyny in Bollywood

Every industry has been plagued by issues when it comes to the wrongful use of power by authorities. The entert...

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Media Matters

These days the controversies around the media are about fake news, marketing gimmicks and overall dumbing down....

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Did Critics go easy on the Phantom Thread?

Phantom Thread, the lush gothic romance from auteur Paul Thomas Anderson was the art-house f...

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Haidar Ali @70 & His Familial Film Heritage: A Treasure Trove

Voter-India ought to be voting Nirbhaya (unafraid) in 2018/ 2019 also for the freedom of Film India, Fashion In...

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How do we Indians Protect our Beti?

Over ten years ago, in 2006, Anu Ranjan, the Co-Pu...

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Forgotten People

There has been very little work across media on the tragedy of Kashmiri Pandits, who were turned into refugees ...

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New Interactive Tool Brings Climate Change Closer to Home

Wouldn't it be perfect to have an interactive tool that could teach you more about climate change and how it is...

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Another News Story of the Syrian Refugee Crisis

For European cinema, in particular, films about Europe’s migrant crisis run the risk of being artful and ...

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Love lost in Yesteryear’s Prem Nagar

Prem Nagar – a lovers’ lane – has gone under. That one spot shielded from voyeuristic eyes by...

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