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No Entry: Hazards in staging a theatre play in Mumbai

Khalid Mohamed recounts his peril-fraught, one-off experience in staging ‘Kennedy Bridge’, a play on yesteryear&rs...

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Not really needed now!

Why talk about the past… why talk of the future. Who knows what more is there… yet to be seen! - Humr...

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Rajiv Gandhi Sadbhavana Award 2020: Call for entries

Rajiv Gandhi, in his brief life, has left an indelible imprint on the country. His vision of a vibrant future, youthful dynamism and his commit...

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If I were a migrant worker

Vinta Nanda, inspired by a conversation with her friend K’ab, wonders how it would be if we were to be ...

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In Exile: The last years of M.F. Husain

Khalid Mohamed rewinds to an interview with M.F. Husain, the peerless artist, who had to spend his end-years jet-hopping betwe...

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Denial: In the Industry of Entertainment

Actor and Executive Committee (EC) member of CINTAA Ayub Khan highlights a challenge confronting the Hindi television industry...

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Guns & Roses: Bollywood’s Dacoit Women

Film historian Dhruv Somani reminds you of the time when women characters wouldn’t take nonsense from the Thakur potenta...

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Cinema of Resistance

Reema Moudgil walks us through some compelling cinema over the last seventy years of India’s independence, which has chr...

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Snake Bites: Bollywood’s Naagins

Film historian Dhruv Somani takes stock of the Naagin and Naag movies, which have crowded the Bollywood repertoire for decades...

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What a change!

I turn towards him and stare at him – he’s a lump of flesh, which just breathes, writes Humra Quraishi

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