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Seijun Suzuki: Master of the Japanese Film Noir

The most traveled and hence the most influential of the film genres that evolved in Hollywood film studios is p...

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The Making of Satya

Novelist and writer, Adithi Rao who was assistant director on Ram Gopal Varma’s Satya, rewinds to the behind-the-scenes ...

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A Bouquet of Talks

This is a bouquet of assorted fragrances, writes Aparajita Krishna

These are narrations t...

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Tarkovsky’s Brilliant Images, Revisited

Khalid Mohamed finds solace in the book Instant Light: Tarkovsky’s Polaroids, comprising 60 images to live for.

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Welcome to Ashok Mishra

The two Hindi films that writer Ashok Mishra is popularly associated with in the cine-goers’ mind are Shyam Benegal’s Welcome to Sa...

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Of Borders and Boundaries

In a short conversation with Selina Sheth, the Indian-born writer-director Vikram Zutshi, talks of his need t...

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Chann Pardesi: Reuniting with the cult-classic

Aparajita Krishna writes, Chann Pardesi would be a stranger to the young cine-goer, India 2020, including the young diaspora g...

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Rain Watch

Sameer Rattonsey, a resident of Bandra, captures the sunsets, even as the weather over Mumbai continues to be unpredictable...

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Shot by Shot: Politics of photography

Young photographer Vatsal Shah writes on the obstacles ...

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Anwesha Arya: The Miracle Woman

In times when many of Bollywood boys and girls are under the scanner, Vinta Nanda interviews Anwesha Arya &nd...

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