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IS IT TIME TO RECONSIDER THE TERM BOLLYWOOD?

Monojit Lahiri does a close–up of this tricky issue and reaches out to the readers now for a solution to the word Bollyw...

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THE TIMELESS CHARMER

Monojit Lahiri offers a personalized tribute to the charming actor Shashi Kapoor, whose good looks remain unmatched even today...

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Decoding the chemistry: Uttam-Suchitra

Satyabrata Ghosh discusses the symbioses between the people at the two ends of the camera during the filming and after it, whi...

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The Hyperlinked World

Ranjan Das takes the Diptakirti Chaudhuri account, Written by Salim-Javed, as a case in point to explore a vast hyperlinked un...

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Ulmer and Detour

Today, Sharad Raj remembers Edgar G. Ulmer as one of the Hollywood masters who had been cruelly neglected by one and all.

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DOES DAZZLING BEAUTY HIJACK TALENT?

Monojit Lahiri investigates the conundrum surrounding beauty and brains, in real and in real life, that has been going on...

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Figuring out Chaddha

An essential quality of cinema is to portray moments that are transitory in human life, writes Satyabrata Ghosh in his take on...

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The Big Evolution

Khalid Mohamed in conversation with Saif Ali Khan, who has grown from yesterday’s ‘chocolate boy’ to an acto...

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The Ghost of Flaherty

Thinking in retrospect, it is most likely that it was during the shooting of this sequence that the ghost of Robert Flaherty started to hover around me, writes Ramchandra P...

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A Requiem For Mayfair Cinema

English movies which essentially meant Hollywood films (Hollywood being the benchmark for “good cinema” catering to the English-spe...

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