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Hello, says the killer: Mukhosh

This serial cop-killer flick does not quite cut it either as a thriller or as a statement on crime and punishment, writes Shantanu Ray ...

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BINISUTOY - Without Strings…

Atanu Ghosh’s new film weaves a delightful tapestry that defies genre pigeonholing, writes Read More

BAISHE SRABON: Dead Poets’ Society

In the series on landmark Bengali films post 2000, Shantanu Ray Chaudhuri looks at Srijit Mukherji’s genre-bending noir ...

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CLASSIC HEIST: Six Films That Define the Genre

For a generation weaned on the high-tech-and-gizmo-aided heist of Steven Soderbergh’s Ocean Eleven or Dom Cobb’s equally SFX-aided ...

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Shyamal Uncle turns off the lights

In the first of a new series on standout Bengali films post 2000, Shantanu Ray Chaudhuri looks at Suman Ghosh’s 2013 fil...

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Rickshawala

After the critical success of Seasons Greetings, Ram Kamal Mukherjee is back with a loving ode to that hoary Kolkata institution - the hand-pul...

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A Quart of Ray

Ever since Satyajit Ray passed away, his works have made it to the screen in sterile, ineffectual adaptations. Netflix’s Ray corrects tha...

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Paap: Antim Pawrbo and Mouchak

While Paap passes muster, Mouchak scrapes the bottom of the barrel. Shantanu Ray Chaudhuri writes.