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Soundscaping with Bishwadeep Chatterjee

Vinta Nanda says, this is one of the most interesting interviews she’s done for The Daily Eye in so far. Welcome to the ...

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Applause: In conversation with Saiyami Kher

Khalid Mohamed in a frankspeak with Saiyami Kher, who has made a huge impact with her performance as a housemaker-cum-bank emp...

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No Entry: Hazards in staging a theatre play in Mumbai

Khalid Mohamed recounts his peril-fraught, one-off experience in staging ‘Kennedy Bridge’, a play on yesteryear&rs...

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The Master: Soumitra Chatterjee on Satyajit Ray

Even under the uncertainty facing the world at large, following the outbreak of Covid-19, a valiant bid is on in Kolkata to celebrate the cente...

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Conversations with Aditiya Singh’s Canvas’

“I don’t paint music, I paint noise, I don’t paint for aesthetic appeal, I paint to reveal my reality”, said Aditiya to me when I asked him to tell ...

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Women’s Voices

The experiment of staging a selection of monologues worked well in Gujarati. In the first collection of seven short plays-- Saat Teri Ekvees (7...

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When Kaga Calls

The Devotion Of Suspect X  won Keigo Higashino a worldwide fan following, and his other books like Malice...

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World Earth Day: Stars spread the Green Message

With the continuing rise in global warming and sudden climate changes, it’s (beyond) about time that we t...

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In 2018, Stans Worship Celebrities as ‘Skinny Legends’

Internet was once taken over by Ice Bucket Challenge, followed by Mannequin Challenge, and a little less popula...

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All the World’s a Stage, Not in Mumbai Theatre at Least

Frankly, theatre didn’t prove to be that long-cherished platform to tell a story which was of some value to me – a story about a pre-teen boy who was saved from...

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