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Oh, those snakes and ladders

Khalid Mohamed reviews the politics-as-usual drama Madam Chief Minister, is brain-boggled by Qubool Hai 2.0 and finds sol...

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So long, farewell, it’s hard to say goodbye…

I’m a writer, but I am at a complete loss of words when expressing the pain I’m feeling after losing my best friend Rajiv Kapoor, w...

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Sign of the times: The Distance Between Us

With focus on Netaji Subhas Chandra Bose, I recall my meetings and interview with his close aide, Captain Laksh...

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Takes tea to tango

A photo-essay by Ashis Ghatak on his tea-tasting spree ...

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Signs of the time: The stream of freedom’s flood

With the passing away of writer Ved Mehta, I can only say that we have lost  not just a great writer but also a man with a definite person...

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And the rest is hysteria

Khalid Mohamed reviews the annoyingly overwrought Kaagaz, the understated Sir and recommends A...

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Signs of the time: Take me across the waters, ‘cause I need some place to hide…

Humra Quraishi looks around for reasons to rejoice the coming of the year 2021 and wonders if it spells bloom as it is being m...

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The loneliness of an Indian (virgin) Bride

What are Indian wedding dreams made of? – a question Janaky Sreedharan answers as she views it through the lens of the r...

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The World Bank: Raising the bar on preventing GBV

Gender-based violence (GBV), including sexual exploitation, abuse and harassment (SEA-SH), is an unacceptable violation of human values. The im...

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Hair today, gone tomorrow

Khalid Mohamed streams right into Hansal Mehta’s Chhalaang, Akarsh Khurana’s Mismatched and more.