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As Tears Go By

Khalid Mohamed reviews the emotionally volatile Pakistani series Khaani, and the quirky Churails, dealing with a vigilante gro...

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To the story I was born

Aparajita Krishna plunges into her rich past, where there is a paean to her left leaning parents who inhabited India’s r...

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That Classic Conflict: Bandish Bandits

Khalid Mohamed reviews the web series Bandish Bandits… and more fare currently showing on the streaming channels.

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Wedding Photography: In a state of limbo

Photographer Vatsal Shah, writes on the drastic downturn in the industry of professional photography in the time of the corona...

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Mind Your Language: Vidya Balan on how to get the ps and qs right

Khalid Mohamed frazzled by today’s Bollywood language, talks to Vidya Balan on how she g...

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No Entry: Hazards in staging a theatre play in Mumbai

Khalid Mohamed recounts his peril-fraught, one-off experience in staging ‘Kennedy Bridge’, a play on yesteryear&rs...

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For Name’s Sake: Bollywood’s penchant for screen names

Film historian, Dhruv Somani, traces the saga of leadin...

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Who decides?

Newcomers we were to this survival game, to this locale, to this one-room setting, to this downslide, to this helplessness. We were new at sawi...

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Cinema of Resistance

Reema Moudgil walks us through some compelling cinema over the last seventy years of India’s independence, which has chr...

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Video Gaga

Film historian Dhruv Somani excavates the exclusive made-for video movies by Nari Hira and other producers, way before the arr...

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