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Did Critics go easy on the Phantom Thread?

Phantom Thread, the lush gothic romance from auteur Paul Thomas Anderson was the art-house f...

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Haidar Ali @70 & His Familial Film Heritage: A Treasure Trove

Voter-India ought to be voting Nirbhaya (unafraid) in 2018/ 2019 also for the freedom of Film India, Fashion In...

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How do we Indians Protect our Beti?

Over ten years ago, in 2006, Anu Ranjan, the Co-Pu...

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Forgotten People

There has been very little work across media on the tragedy of Kashmiri Pandits, who were turned into refugees ...

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New Interactive Tool Brings Climate Change Closer to Home

Wouldn't it be perfect to have an interactive tool that could teach you more about climate change and how it is...

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Another News Story of the Syrian Refugee Crisis

For European cinema, in particular, films about Europe’s migrant crisis run the risk of being artful and ...

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Love lost in Yesteryear’s Prem Nagar

Prem Nagar – a lovers’ lane – has gone under. That one spot shielded from voyeuristic eyes by...

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Films: Opportunity in the Crisis

In several of my recent articles I have written about the crisis facing Indian film industry, specially Bollywo...

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Major Music Festivals sign up for Change

Last year, a BBC study of 14 major UK festivals for the last decade found out that of the 660 headline appearan...

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Experiments with Storytelling: Meet Anuraadha Tewari

In a freewheeling conversation, Anuraadha Tewari, scree...

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