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Framed: Film Editor Ballu Saluja

Aparajita Krishna, writer and filmmaker, profiles the much accomplished editor Ballu Saluja in...

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Meet Roshni Nuggehalli and Marina Joseph of YUVA

In this time of Covid-19, the world has witnessed upheaval in almost every sphere of life while impacting the s...

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Vanished III: The male actors who disappeared from Bollywood

Film historian, Dhruv Somani, concludes his series on t...

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Doctors: Born to save lives

Photojournalist SL Shanth Kumar was granted exclusive access to Wockhardt Hospital in Mumbai, which is currently treating affe...

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Grannies, Groins & Growing up: Sonnets from Early Memories

The experiences in Farrukh Dhondy's childhood that formed the man are worked into a collection of sonnets that are fun, charmi...

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Yesterday’s Agent Vinod: Why he quit Bollywood

Film historian, Dhruv Somani, tracks down Mahendra Sand...

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Undekhi: Plain Vanilla, Distasteful Hype

Dr Sandeep Goyal says that SonyLiv's latest thriller offering Undekhi, has landed itself in an unenviable soup of its own maki...

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Lost Melodies: Bollywood’s vast film music heritage

Anil Dixit, walks down melody lane, to select five vastly underrated music scores

My go-to metaphor for Hindi film music is that it’s a rich ...

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Indian Media: Delete, Copy, Paste & Repeat

Amit Khanna writes that a simple definition of news is organized information about a changed situation, events, happenings and...

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Our Tarzans: Bollywood’s romance with the Lord of the Jungle

Film historian, Dhruv Somani, tracks down the unusual repertoire of desi Tarzan movies, which once used to delight Indian audi...

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