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When men change and repent: Cinema of Kenji Mizoguchi

Men are at loose ends without women to enslave, to desire, to abandon. Sharad Raj explores why the director is forgiving of th...

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The Joy of Photography

Khalid Mohamed in conversation with multi-media professional, indie-filmmaker and still photographer Arin Paul on how to see t...

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Oh, those snakes and ladders

Khalid Mohamed reviews the politics-as-usual drama Madam Chief Minister, is brain-boggled by Qubool Hai 2.0 and finds sol...

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Sign of the times: The sun shines on everybody

“Why don’t the people of today take lessons from our history, literature and poetry”, asks Humra Quraishi Read More

The genius of Jacques Tati

Sharad Raj explores how the existential and political angst of the torchbearers of the Novell Vague got an edge over Tati when it came to intel...

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Call of the Valley

A photo-essay by Ashis Ghatak: On the placid side of Kashmir and its infallibly hospitable mountain folk.

Goodfellas: The patriarchal architecture of the mafia world

Goodfellas is considered to be one of the greatest gangster films ever, writes Sharad Raj.

Tara ra pomp pomp

Khalid Mohamed attends The Big Day weddings, listens in to Martin Scorsese’s docu-interview with Fran Lebovitz and&helli...

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The Iconoclast

Long before Angela Merkel became a messiah for Arab migrants and courted controversy, there was Adolf Hitler wh...

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Hope Factory: Business Ideas For Everyone

Vinta Nanda chats with Tarun Agarwal, author of Hope Factory: Business Ideas For Everyone, about his latest book and other thi...

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