Salty and Spicy

Film historian Dhruv Somani marvels at Gulzar’s women-centric flavored Namkeen (1982).

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Those Haunting Melodies

Film historian Dhruv Somani, laments the end of the mel...

Crime Drama, Women and Claude Chabrol!

Writes Vandana Kumar, “No one takes you away from one-dimensional morality while trying to fathom his women charact...

Shifting Paradigms: Malayalam Cinema

Malayalam Cinema has evolved through time, writes Sulochana Ram Mohan. To use a cliché change has been the only constant in Malayalam ci...

Mahishasur Marddini: Endless Night…

Filmmaker Ranjan Ghosh speaks to Shantanu Ray Chaudhuri about his soon-to-be-released film…

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Another Ravi Varma: Mankada

Kerala Varma talks about the magic in the work of the low profile cinematographer of Adoor whose work made the layman sit up a...

Love me if you can: Khwaja Ahmad Abbas

“Love me if you can”, says the last will and testament of Khwaja Ahmad Abbas, writes Read More

Sign of the times: So far from God!

Humra Quraishi discusses the definite background to the sorry state of affairs in Afghanistan.

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BAISHE SRABON: Dead Poets’ Society

In the series on landmark Bengali films post 2000, Shantanu Ray Chaudhuri looks at Srijit Mukherji’s genre-bending noir ...