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Music Knows No Caste

After garnering critical acclaim and winning the FIPRESCI Award at the Bangladesh International Film Festival 2022, Bangladeshi filmmaker Shabn...

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Pubali Chaudhuri: Mystery of the blank page!

Aparajita Krishna tells the Genie to grant writer Pubali Chaudhuri her personal wish; also the wish that she ‘conti...

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The uphill struggle to adulthood

A critical analysis of Rima Das’s Bulbul Can Sing (2018) by Dipankar Sarkar.

With h...

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It was raining hits

Film historian Dhruv Somani, writes a comprehensive account of the disco monarch, the late Bappi Lahiri.

Winds of Change in Uttar Pradesh

Subhashini Ali analyses the political scenario in Uttar Pradesh, soon going to elections, and finds that the winds of change seem imminent.

Fast-mo...

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Abanindranath Tagore: The enigmatic original who wrote art and painted words

The founder of the Indian Society of Oriental Art, Abanindranath Tagore’s work defies any straightjacketing, writes Shantanu Ray ...

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Acting ke peeche kya hai?

The ever-charismatic Madhuri Dixit, in a flashback conversation with Khalid Mohamed on how she perfected the art of acting by ...

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His own terms: Sharad Raj

Ek Betuka Aadmi Ki Afrah Raatein is now streaming on Eventscape Vod Platform. Vinta Nanda has a chat with director Sha...

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Starring Leela Mishra & Kanhaiyalal

Aparajita Krishna talks to eminent members of the film industry and Indian theater to explore how Leela Mishra and Kanhaiyalal...

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Making films is my coping mechanism: Shabnam Sukhdev

Here’s Vinta Nanda in conversation with documentary filmmaker Shabnam Sukhdev, who just completed her short film titled ...

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