CHICK TO CHIC: ARC OF THE INDIAN ADVERTISER

Monojit Lahiri checks out if today's Indian women are accurately portrayed by our adfrat or not?

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KASHISH QDrishti Film Grant 2022

KASHISH QDrishti Film Grant offers production grants and mentoring to LGBTQIA+ filmmakers to make their queer short films. This year the amount...

SOHAILA KAPUR: The Person & Her Legacy!

Sohaila Kapur belongs to a very rooted and empowered artistic and cultural legacy. She has, in her individual way, made her own space, writes <...

A MOTHER’S SILENT AWAKENING

Shantanu Ray Chaudhuri looks at one of Jaya Bachchan’s most feted performances in a rare Hindi film, Hazaar Chaurasi Ki ...

Music Knows No Caste

After garnering critical acclaim and winning the FIPRESCI Award at the Bangladesh International Film Festival 2022, Bangladeshi filmmaker Shabn...

The uphill struggle to adulthood

A critical analysis of Rima Das’s Bulbul Can Sing (2018) by Dipankar Sarkar.

With h...

STARFARE-FILMDUST: A Flashback

Aparajita Krishna recalls the magical times of film magazines and the gossip about film stars they carried, through the voices...

Sabarmati Ashram: To be or not to be

The government is mulling over revamping Sabarmati Ashram; people from various walks of life talk t...

Order! Order!

Khalid Mohamed reviews the twisty courtroom drama Nail Polish, the erotica-fest Paurashpur and a sensitive short film Adivaana...