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NEED FOR EQUITABLE GENDER REPRESENTATION IN HINDI CINEMA

A new research report by the School of Media and Cultural Studies at the Tata Institute of Social Sciences, Mumbai, reveals that on-and-off-scr...

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A DARK AND SHINY PLACE: EXPLORING GRIEF

Vinta Nanda talks to media professional and curator of entertainment content Pragati Deshmukh as she sets out to release her d...

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KASHISH 2023 TO HIGHLIGHT LGBTQ+ STORIES FROM ASIA

A panel discussion ‘LGBTQ+ Rights in Asian Countries – Nepal, Singapore, Lebanon & India’ to be held on June 9th at ...

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ACTOR ADVAIT KOTTARY WRITES HIS DEBUT NOVEL

Advait Kottary’s debut novel SIDDHARTHA: THE BOY WHO BECAME THE BUDDHA takes readers on a fictional journey through Buddha’s formative years, reports Th...

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FIFTY YEARS AFTER GARM HAVA

Garm Hava (1974) is undoubtedly the best Indian film to capture the pain of Partition that swept the Indian subcontinent, writes O.P. Srivastav...

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SMASH THE PATRIARCHY

Priti Chandriani, Veena Bakshi and Lygia Mathew run the ‘only’ Cinema Collective, and they held a day-long event where panel discus...

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YET ANOTHER STORY BESIDES PATHAAN

Satyabrata Ghosh explores why audiences at large today prefer to watch a franchise of a spy universe over a modern fairty-tale...

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KANTARA, GANGUBAI, KUNCHACKO BOBAN, ALIA BHATT RATED BEST OF 2022

Indian Film Institute (IFI) has announced its annual ratings of the best films and best male and female actors of 2022, reports The Dai...

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BOLD AND BEAUTIFUL

Film historian Dhruv Somani, a loyal fan of Sushmita Sen, retraces her  estimable career, as her birthday approaches on N...

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AB@80me@61

Aparajita Krishna writes a letter to Amitabh Bachchan, recalling her relationship with him while she was growing up over the y...

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