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Between Fake News and Truth…

In these extraordinary times, like everywhere else in the world, fake news and misinformation are spreading like wildfire around Covid-19 and r...

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Chiller Thrillers

Film historian Dhruv Somani unearths eight Bollywood films, which were grossly undervalued.

Labour, Rights, Disaster and Capitalism

The global pandemic crisis gripping the world currently has claimed over a quarter of a million lives. It has decimated livelihoods and incomes...

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Oh Kolkata!

At a Glance 0800pm 20th May 2020

  • Tropical Cyclone Amphan has made landfall near the border between India and Bangladesh
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The Last Concert

Begum Akhtar passed away a day after her concert in Ahmedabad on 29 October, 1974. Here’s a rare photo-essay of that enchanted evening by...

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The Talented Taurean: Bhanu Athaiya

Bhanu Rajopdhye Athaiya was born on April 28, 1929 in Kolhapur. Humra Quraishi interviewed Athaiya around ...

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The Revolutionary

Khalid Mohamed looks back at the film legacy of the Bengal auteur, on the day of Mrinal Sen’s 97th birth anniversary today.

There’s a r...

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Wake up & smell the Propaganda

Liquidity via monetary policy is like blood infusion into a patient admitted for a heart transplant in a near death situation. And fiscal stimu...

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On being an Indian: Ruskin Bond

In his essay, "On being an Indian", Ruskin Bond explains his Indian identity, "Race did not make me one. Religion did not make me one. But...

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Woman of Song: Usha Khanna

Dhruv Somani makes a case to revisit Usha Khanna, one of Bollywood’s few and certainly the most prolific and popular women composers.

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