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Technology to help tackle Human Crises

Driven by war and fragile states, over 65 million people worldwide are forcibly displaced. The majority of them...

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Celebrating the Women behind the Camera

In this age of Netflix, Hotstar and Amazon Prime, there's a unique streaming service called MUBI which I am sur...

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Yesteryear’s Legends Emerge Favourites on the Web World

The living legend, Lata Mangeshkar, has scored the highest number of likes and followers across generations, on the plethora of socia...

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Another News Story of the Syrian Refugee Crisis

For European cinema, in particular, films about Europe’s migrant crisis run the risk of being artful and ...

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Love lost in Yesteryear’s Prem Nagar

Prem Nagar – a lovers’ lane – has gone under. That one spot shielded from voyeuristic eyes by...

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Films: Opportunity in the Crisis

In several of my recent articles I have written about the crisis facing Indian film industry, specially Bollywo...

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Collateral: Wrestling with the Refugee Crisis

Collateral is an avant-garde approach to storytelling. The narr...

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Sharp Satire

“To lose one parent, Mr. Worthing may be regarded as misfortune. To lose both can be regarded as more lik...

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The Politicization of Social Media

Back in 2012, a national survey questioned 3,000 young people, ages 15-25 on how they use the Internet, social ...

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